Color Theory: Aerial Perspective in Landscapes

Aerial perspective is described as the use of gradations in color and definition to suggest distance. In addition to linear perspective, the use of parallel lines converging on the horizon to convey depth, this tool will heighten the appearance of distance in your paintings.

Leonardo Di Vinci developed the idea of aerial perspective. It relates to the Munsell color system in that colors generally get Lighter (value), Bluer (hue) and Grayer (chroma) as the space recedes in the distance.

Simply put, aerial perspective is the atmospheric distance between objects in a painting. Depending on our relationship to the objects, and the relative distance involved, this can be quite apparent. The heavier the atmosphere, more moisture in the air, the more pronounced the effect. Lower elevations that commonly have higher amounts of moisture in the air are the easiest to witness the effect. Think of viewing a landscape on a rainy or foggy day. The drier the atmosphere, and the higher the elevation, the less apparent it becomes.

This class will explore the concept of aerial perspective, guiding you through color sequences that can be used as a basis for creating deep space on a 2-D plane. We will work on loose color sketches/paintings in a variety of color schemes so we can experience the process and take this skill back to the studio to apply to our paintings.

We will be working with acrylic paint; however, you may bring your own medium if you prefer to practice with watercolor, colored pencils, etc.

All materials will be provided, but if you have favorite paints and/or brushes you would like to use, feel free to bring them.

Cost for the class for members is $15 and non-members is $20. Materials fee is included in the cost.

This class is offered at a reduced price due to the generous grant from the Shallow Ford Foundation.

To register CLICK HERE. For more information or questions please email info@associatedartists.org.